"Left for Frozen" by the EJAC Painting CoLAB
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$22.00
$22.00 - $36.00
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Print- Archival Ink Jet Print on Matte Paper
Paper size- 12" x 18"
This archival print is of a painting by our in-house group of artists, the EJAC Painting CoLAB. The piece was inspired by a quote from an interview with Dancing Fox, who was a Water Protector at the Standing Rock protests.
Left for Frozen, 2018
Original composition by Gates Callanan
Gates Callanan, Chelsea Klich, John Teply
Acrylic on wood
“The permafrost came at the beginning of December, so by Christmas season there was solid ground frozen underneath the solid snow and ice and then a blizzard on top of that. We were driving along and our van went into a snow drift. I sat in the driver's seat just going beep beep beep beep beep beep at the horn that someone may hear us. But the young woman and I together we stayed silent for 20 minutes knowing that this very well could be the last minutes because if we couldn’t be seen or heard or found we will certainly freeze to death in there in probably an hour.”
Dancing Fox, Interview excerpt, March 2018
Paper size- 12" x 18"
This archival print is of a painting by our in-house group of artists, the EJAC Painting CoLAB. The piece was inspired by a quote from an interview with Dancing Fox, who was a Water Protector at the Standing Rock protests.
Left for Frozen, 2018
Original composition by Gates Callanan
Gates Callanan, Chelsea Klich, John Teply
Acrylic on wood
“The permafrost came at the beginning of December, so by Christmas season there was solid ground frozen underneath the solid snow and ice and then a blizzard on top of that. We were driving along and our van went into a snow drift. I sat in the driver's seat just going beep beep beep beep beep beep at the horn that someone may hear us. But the young woman and I together we stayed silent for 20 minutes knowing that this very well could be the last minutes because if we couldn’t be seen or heard or found we will certainly freeze to death in there in probably an hour.”
Dancing Fox, Interview excerpt, March 2018
